NRCG to present BAM Art Prize at Ballina – Echonetdaily – Echonetdaily

Northern Rivers Community Gallery, Ballina – supplied

Northern Rivers Community Gallery in Ballina is partnering with Byron Arts Magazine to present the BAM Art Prize finalist exhibition in 2020. Entries to the prize are now open to all Australian artists, and close 20 September.

There is a first prize of $5,000 (non -acquisitive), plus a cover feature on Byron Arts Magazine.

The BAM Art Prize is designed to promote awareness of the arts locally by presenting a national art prize here in the Northern Rivers.

The 2020 Judges are Lennox Head-based freelance arts writer Sharne Wolff and Director of the Lismore Regional Gallery Brett Adlington.

The exhibition will be held at NRGC at Cherry Street in Ballina from 21 October to 13 December 2020.

More info at the Northern Rivers Community Gallery website and BAM.


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Arty Facts: Margaret Preston, Pioneer of Australian Modernism – Prestige Online

Born in Adelaide as Margaret Rose McPherson in 1875, the painter and printmaker Margaret Preston is regarded as one of Australia’s pioneering modernist artists. She saw her work as a quest to develop an Australian “national art” and was one of the first non-indigenous Australian artists to use Aboriginal motifs in her work.

After her family moved to Sydney in 1885, Preston attended Fort Street Girl’s High School, a selective government institution for gifted students where her interest in art was kindled. In the following years she received one the best art educations to be had in the country, including the National Gallery of Victoria Art School under Frederick McCubbin from 1889 to 1894 then later the Adelaide School of Design in the city of her birth. Preston supported herself through scholarships and tutoring, with some of her students becoming notable artists in their own right.

Sydney Heads, hand-coloured woodcut, 1925.

In 1904, Preston and a former student, Bessie Davidson, set off for Europe where they remained until 1907. They travelled widely, but Preston was particularly taken with Paris where her interest in modernism was influenced by Cezanne, Gauguin and Matisse as well as Japanese art and design she viewed at the Guimet Museum with its notable collection of Asian art. It was Preston’s introduction to the Japanese print tradition of Ukiyo-e that informed much of her own work throughout her career.

Preston returned to France in 1912 with Gladys Reynell, another former student from Adelaide, but when World War I broke out they moved to Britain. In London Preston studied pottery and the principles of Modernist design at the Omega Workshops of Roger Fry, of the Bloomsbury group. Preston, along with Reynell, later taught pottery and basket-weaving as therapy for shell-shocked soldiers at the Seale Hayne Military Hospital in Devonshire. She exhibited her work in both London and Paris during this period.

Fuchsias, 1928.

On her way back from a visit to the United States, Preston met her future husband, William Preston, a recently decommissioned Australian Army lieutenant who had served in France. They were married on the last day of 2019, by which time William had returned to a successful business career that allowed Margaret the freedom to continue her work with financial security. They lived mostly in Sydney’s delightful harbourside suburb of Mosman, home to many of the city’s notable artists. They moved for seven-year interlude to the bush suburb of Berowra on the Hawkesbury River during the 1930s – a move that inspired her produce more landscape paintings. They later returned to Mosman.

Preston grew increasingly aware recognition of the connection between country and art in Aboriginal culture, which informed her work prompted to study sites of Aboriginal rock painting around Australia. Preston held her last major exhibition in 1953 and gave her last public lecture at the Art Gallery of NSW in 1958. She died in May 1963.

Margaret Preston, self portrait 1930.