HOTA, Home of the Arts Open Call for 20 Australia Gold Coast Artists to be Presented in a New $40M Gallery – ArtfixDaily


HOTA, Outdoor Stage
John Gollings
Tai Chi Bunnies, Claudia Chan
Artist impression of HOTA Gallery
HOTA

HOTA, Home of the Arts has announced a commissioning opportunity for 20 Australian artists to be presented in a major exhibition in its new Gallery opening in 2021.

In early 2021, HOTA in Surfers Paradise, Queensland, Australia, will open the City’s new AUD$60.5M (approx. USD$40M) Gallery.

Australian artists who can demonstrate a significant link to the Gold Coast region, are invited to submit ideas for indoor and outdoor works, ranging from medium to large-scale installations, video projections, free-standing sculptures and performance, to all types of outdoor art that can be executed well in the environment.

As well as receiving an artist fee for their participation in the exhibition, successful applicants will have the support from the HOTA Gallery Curatorial and Exhibitions teams to develop, prepare, and install their work.

HOTA are accepting submissions from established and emerging artists aged 18 years or older, who are either based on, or can demonstrate a significant link to the Gold Coast. Artists who are ambitious and locally engaged but globally aware, who share the belief that art has the power to unite, challenge, transform and delight, are encouraged to submit ideas.

Borealis, Dan Archer

The exhibition will be curated by the HOTA Gallery team with initial input from a leading industry professional. 

Applications open on Tuesday 19 May and can be submitted online at hota.com.au/opencall. The deadline for applications is Friday 19 June. Successful applicants will be notified by Friday 3 July.

Successful artists must have all artwork completed by January 2021, with further details around the exhibition date announced in late 2020.

HOTA Gallery is the centrepiece of the City’s Cultural Precinct Masterplan which guides the evolution of the precinct over the next 10-15 years as the city’s artistic and cultural needs grow. And with more than AUD$399 million allocated to deliver the precinct, this is a City serious about supporting the arts.

William Robinson’s stunning painting The Rainforest (a key work in the City’ collection) has been the inspiration for both the architectural design and future gallery programming: a trail-blazer full of wonder, discovery, creation, beauty, spectacle and scale. It will be filled with multiple ideas, an unfolding experience of viewpoints and trails that challenge us to dig deeper and get lost in creative ideas. It will have aspects of light and dark; points of discovery – both internally and externally.

Designed by international architects ARM and spanning six levels with over 200mm2 of AAA rated, international standard exhibition space, the new Gallery will include a 1000m2 main exhibition space, with the capacity for touring exhibitions of an international size and scale. It will also feature 900m2 of exhibition space for the City Collection and temporary exhibitions, a dedicated Children’s Gallery and almost 1000m2 for collection storage and exhibition preparation.

HOTA Gallery will become a must-see destination that facilitates and shares new ideas and experiences in visual art both indoors and outdoors; that draws its strength from integrated arts programming, and collaborations with artists, creatives and institutional partners on a local to global scale.

Rainforest, William Robinson

HOTA Gallery will be the largest public gallery outside a capital city in Australia with the ability and ambition to present exhibitions and projects of national and international scale. In the first two years the Gallery will host three major international exhibitions that are Australian exclusives and will continue to celebrate local talent along with presenting the AUD$32 million City Collection in its new home The annual Gallery program will also feature commissions, children’s exhibitions and education initiatives, talks, performances and Up-Lates alongside external activations and installations. For more information visit:  https://hota.com.au/new-hota-gallery.

Museums and galleries take cautious steps to reopen – The Australian Financial Review

One proposal being discussed widely behind the scenes is the use of scheduled ticketing, where visitors would need to book and be assigned a time to attend, and with caps on overall visitors.

MAGNT director Marcus Schutenko said it would be a long road back, with only 55 visitors on its first day compared with as many as 900 on a normal day in May.

“We opened without a hitch but visitation was lower than normal,” Mr Schutenko told The Australian Financial Review. “International studies show people expect there will be a slow uptake of people wanting to go into any public spaces and that includes museums and galleries”.

Nyapanyapa Yunupingu; The Moment Eternal exhibition
Director Marcus Schutenko MAGNT (Museum and Art Gallery of the Northern Territory) Supplied

However, MAGNT is launching a blockbuster exhibition on the works of Nyapanyapa Yunupiŋu, opening this Saturday, which Mr Schutenko hopes will start to bring the crowds back.

“It is the most significant exhibition MAGNT has ever put on of an Aboriginal artist, with works from around the country, so it’s a huge exhibition … and she certainly would be regarded as one of the greatest living Australian artists,” he said.

Virtual visitors out in force

The Council of Australasian Museum Directors, which represents leaders of the major national, state and regional museums in Australia and New Zealand, has developeda set of core principles to ensure the safety of staff and visitors.

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The principles state that safety and wellbeing are paramount. “We will reopen when we are certain we can provide a safe working environment for our staff, and a safe visiting environment for our visitors,” the council said.

MAGNT hopes a blockbuster exhibition of the works of Nyapanyapa Yunupiŋu will lure visitors back. 

Facilities would be closely maintained and monitored, including a revision of hygiene protocols that involved increased cleaning and disinfecting, hand-washing facilities, hand sanitiser and distancing protocols.

Museums and galleries “will adhere to federal, state and territory government rules and guidelines, such as limits on the size of gatherings, restrictions on travel, and implementation of contact tracing”, the principles say.

The National Gallery of Victoria, which told Financial Review it has just appointed two new trustees in Telstra chief executive Andy Penn and head of start-ups for Amazon Web Services, Rachael Neumann, said it was working hard to reopen, with virtual visitor numbers strong.

The “Keith Haring | Jean-Michel Basquiat” exhibition has been the strongest attraction for virtual visitors to the NGV. Eugene Hyland

NGV’s virtual tours have had a combined 277,795 views, with the three most popular being Keith Haring | Jean-Michel Basquiat with 63,057 views, KAWS with 53,147 views, and Top Arts 2020 with 22,687 views.

Virtual excursions for students have had 10,684 students and teachers across 221 schools booked since the NGV temporarily closed on March 16.

“We’re currently working through how we can reopen later this year and are exploring the appropriate social distancing measures we can put in place in line with Victorian government regulations,” NGV director Tony Ellwood said.

“We’ve been in close discussion with our colleagues from major international art museums who are facing similar challenges.”

With the Archibald Prize set to turn 100, the search is on for Australia’s missing portraits – ABC News

The art world is on a nationwide hunt to locate Archibald portraits and photographic images that could be hanging in your very own home.

To mark the centenary of the Archibald Prize, which began in 1921, the Art Gallery of New South Wales is compiling a complete online catalogue of submissions — but it needs help.

Natalie Wilson, the gallery’s curator of Australian and pacific art, said there were gaps in the prize’s history, particularly before 2003.

Artist Joe Furlonger’s ‘Self-portrait at Moree’ created in 2014.(Supplied: Art Gallery of NSW)

“With over 6,000 portraits created, they could have ended up anywhere — in private clubs, galleries, museums and collections,” she told ABC Radio Brisbane.

“We’re calling out to people around Australia to look in their attics or ask their great aunts and uncles if there is a portrait in their family that was perhaps painted by an Archibald artists.”

In particular, the gallery is trying to track down works painted by some of Australia’s most celebrated artists, especially from the early decades of the Archibald.

“One is from the 1930s from Enid Dickson who didn’t use paints, but pastels, in the 1930s,” Ms Wilson said.

“Gwen Grant is another who painted in the very first decade, and there’s so many works where we have no idea where they are.”

Missing Burley Griffin

The Art Gallery of NSW is particularly keen to find Constance Paul’s 1929 portrait of architect Walter Burley Griffin.

A sketch of Walter Burley Griffin in charcoal by Paul Constance in 1935.(National Library of Australia: Trove)

“We cannot find that portrait anywhere, and we thought, as the architect that designed Canberra, that someone might know where that one is,” Ms Wilson told ABC Radio Canberra.

“The problem is all that we have is a preliminary sketch, so we don’t even know what the portrait looks like.”

Although a big task, she believed many Australians would be keen to help look for the missing portraits hidden in attics or captured in family photos.

“We know where 1,500 are and we’re putting together the pieces of the Archibald puzzle so we can put together an archive online that people around Australia can use and to have a look at the history of the prize.”

Archie 100 to tour nationally

Ms Wilson will select 100 of the most interesting and unique pieces to tour Australia from May next year as part of the Archie 100.

“So many different kinds of people were portrayed and not only distinguished people in the arts, but also average Australians on many occasions,” she said.

“There is an amazing portrait in the Queensland Art Gallery of Tippo Powder, who was an Indigenous tracker from Queensland.

The gallery is also looking for missing images from the Wynne and Sulman Prize collections.

Anyone who may have a piece of the puzzle should visit the Art Gallery of New South Wales for further details.

Hunt begins for thousands of lost and rare Australian artworks – and they could be on your wall – Daily Mail


Hunt begins for thousands of lost and rare Australian artworks – and they could be hanging on your wall

  • The Gallery of NSW is creating an online catalogue of Archibald submissions  
  • Curator of Australian and pacific art, Natalie Wilson, said 6,000 pieces are lost
  • She said they could be anywhere, including in homes, galleries or private clubs 

The hunt has begun for over 6,000 pieces of art – created by some of Australia’s most celebrated artists – whose whereabouts are unknown. 

Natalie Wilson, the curator of Australian and Pacific art for the Gallery of New South Wales, is creating an online catalogue of submissions for the Archibald Prize ahead of next year’s 100th anniversary of the country’s most famous artistic prize. 

Ms Wilson said over 6,000 pieces submitted for the prize before 2003 are missing and they could be anywhere, from private clubs to galleries, museums or even hanging in someone’s home.  

Natalie Wilson, the curator of Australian and pacific art for the Gallery of New South Wales in Sydney, is creating an online catalogue of Archibald submissions dating back to 1921 to mark its 100th anniversary (pictured: A sketch by Paul Constances in 1935)

Ms Wilson said over 6,000 pieces, specifically before 2003, are missing and they could be anywhere including in private clubs, galleries, museums or even hanging up in someone’s home

The gallery wants to know the location of the artwork, photographs if no images are available online, and the information of the person who has the pieces in their possession.  

‘We’re calling out to people around Australia to look in their attics or ask their great aunts and uncles if there is a portrait in their family that was perhaps painted by an Archibald artists.’ Ms Wilson told ABC Radio Brisbane

Ms Wilson is trying to locate works, especially from the early decades of the portraiture prize, created by artists including Enid Dickson and Constance Paul – and images from the Wynne and Sulman Prize collections.  

‘One is from the 1930s from Enid Dickson who didn’t use paints, but pastels, in the 1930s. Gwen Grant is another who painted in the very first decade, and there’s so many works where we have no idea where they are,’ she said. 

The gallery is looking for the current location of the artwork, photographs if no images are available online, and the information of the person who has the pieces in their possession (pictured: ‘Self-portrait at Moree’ created by Joe Furlonger in 2014)

Ms Wilson is trying to locate works, especially from the early decades of the prize, created by artists including Enid Dickson and Constance Paul – and images from the Wynne and Sulman Prize collections (pictured: ‘The Power and the Passion’ by Michael Mucci)

Another highly sought-after piece is a portrait of architect Burley Griffin created by Constance Paul in 1929. 

The main hurdle with locating this piece is the Art Gallery of NSW only has a preliminary sketch, so they don’t know what the final piece looks like. 

Ms Wilson believed Australians would be excited to help the gallery find the missing artwork. 

‘We know where 1,500 are and we’re putting together the pieces of the Archibald puzzle so we can put together an archive online that people around Australia can use and to have a look at the history of the prize,’ she said. 

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